he poetic process is a fascinating one, especially when it comes to the selection of the “right” words. Consider those instances where we choose words not only for their Content and Construction but their Capacity (to perform a particular function) and Cadence (to actualise a particular meaning).
For example, Heinrich Heine uses “hold” (rather than, say, “lieb”) in “So hold und schön und rein”1 to produce a progression of vowels that “opens” like a flower; and a word like “wandered” that requires a certain unhurriedness to convey its sense2 which a high-tempo stanza would undermine.
- “Du bist wie eine Blume, / So hold und schön und rein” (You are like a flower, / So lovely and fair and pure) from “Du bist wie eine Blume”.
- The inherent slowness of the act as evoked by the sounds and trailing syllables of the word.