Four separate poems are emerging from the “Little Evening Lily” sketch. They are variations on the same theme, born from the many stanza experiments whilst developing the composition.
It should come as no surprise that there is such an outpouring of verse on the subject—the lily in question, Gladiolus liliaceus, is my favourite flower1—but, I am nonetheless amazed.
I am also intimidated, as I wonder whether the four poems will be worthy of their subject, and frustrated, as this further delays the anthology’s completion (likely by four months, given my pace)2.
- If I might do a little introspection: I associate Gladiolus liliaceus with the joy of my mother in spring (September to November in my country, South Africa) when it appears in the wild. Moreover, it evokes the happiest time of my childhood at age eight and nine in the Babilonstoring Valley—of which I have written before in “This September”, “This October”, “This November” and “A Return to the Valley”—when I recall her displaying the lilies on the kitchen table of the little labourer’s cottage we inhabited at the time, its intoxicating fragrance filling the room at night.
- I typically spend a month on a poem.