Both versions of “Karkar”1 (previously “Rietpypie”) are finished. The first, “Karkar”, consists of three stanzas and the second, “Karkar Flowers”, of two. Their styles differ, but their themes are the same: delight at the fiery flower, vivid in the setting sun. Which version to include in the final collection, I am yet to decide.
- “Karkar” (pronounced [kaRkaR] with a trilled [R]) is onomatopoeic, referring to the sound produced when rubbing the ribbed dry leaves together.
The compositions took much longer than anticipated: an unprecedented five months (though writing was sporadic), interrupted by life and, most significantly, love. Now, more focused on the anthology than ever, I eagerly begin development on “Lobelia” (working title), the second of the “Wild Flower Sketches”.
The wild Thin-stalked Lobelia is endemic to the Overberg.2 It first enraptured me in 2018 on a mountain slope not far from where I would see it again, three seasons later (along with other wild flowers new to me, among them, the Karkar Flower). Bewitched by its winglike violet petals in the breeze, a poem was inevitable.
- As are all the flowers and creatures of which I write—swallows, the only exception. (The Overberg is an agricultural region in the Western Cape province of South Africa.)
Its loveliness I shall now attempt to extol by developing the sketch I composed after the second encounter. I intend to write more frequently, so I expect it should be completed faster than its companion “Karkar” set; however, poems are not predictable, and I must humbly submit to my Muse (that gentle wind o’er the hills).
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