From “Kalossie” to “Toktokkie”

Ixia stricta, 3 December 2018. Copyright 2018 Forgotten Fields. All rights reserved.
The exquisite Kalossie (Ixia stricta). Photographed 3 December 2018.


Amazingly—given my recent trend of lengthy writing times—“Kalossie”, the third of the “Wild Flower Sketches”, was completed in just four short writing sessions, including the conception of the original draft.

This was the result of having decided upon the tercet as its form, after “Karkar Flowers” and “Lobelia”, its completed companion compositions. All that was left was to shape the lines accordingly.

The “Wild Flower Sketches” then are a triptych of tercets celebrating Tritoniopsis antholyza, Lobelia chamaepitys and Ixia stricta. What a joy to have words prepared the next time I meet them on the mountain!

Toktokkie, 3 December 2018. Copyright 2018 Forgotten Fields. All rights reserved.
The beetle that inspired a poem. Photographed 3 December 2018.


Next, I shall develop the “Toktokkie”1 poem, inspired by the beetle of that name. I composed the first draft—“Tock-tocky”—nearly a month after encountering it on the mountain that blessed summer evening.

I recognised it from childhood and remembered that knocking with one’s knuckle on the ground would persuade it to do the same with its rear!2 The poem enjoys this amusement in two stanzas.

The tapping is the origin of its common name, the onomatopoeic “Toktokkie”, Afrikaans for “little knock-knock”. I anglicised this to “Tock-tocky”, but no such contrivance is necessary—“Toktokkie” is its title.

  1. Afrikaans; pronounced [tockTOCKy], with a clipped version of the [o] in ‘or’.
  2. Tricked into thinking a potential mate is nearby.

Poetry Publication Progress (2021-11-20)

“Lobelia” is Complete

Wild Flower Trio Triptych, 3 December 2018. Copyright 2018 Forgotten Fields. All rights reserved.
The “Wild Flower Sketches” are a triptych of vignettes in response to flowers I encountered on a summer mountain slope before nightfall in 2018. From left to right: the Karkarblom (Tritoniopsis antholyza), the subject of “Karkar” and “Karkar Flowers”; the Thin-stalked Lobelia (Lobelia chamaepitys), the subject of “Lobelia”; and the Kalossie (Ixia stricta), the subject of “Kalossie”, the next sketch to be developed—all photographed on 3 December 2018.

“Lobelia”, the second of three wild flower poetic sketches, is complete. A short and, I hope, sweet celebration of the Thin-stalked Lobelia (Lobelia chamaepitys) that quietly adorn the mountainsides and waysides of the Overberg region in the Western Cape of South Africa from September (Spring) to April (Autumn).

Compositionally, “Lobelia” follows the tercet style of “Karkar Flowers”; like that sketch, buoyant and brief, singing the joy of beholding the flower. If the third sketch—“Kalossie”—permits it, then it too shall have this structure and so complete a tercet trio. To the development of this composition, I devote myself next.

Captivated by the Karkar and love-struck by the Lobelia, the Kalossie (Ixia stricta)1 was pure delight: its delicate bouquet of pink blossoms swaying in the breeze on the lithest stem, a wonder to behold in the heather! This impression on the mountainside that seminal summer evening, I must somehow commit to verse.

  1. Previously, I had misidentified the flower as Ixia scillaris. According to botanist Dr Christopher Whitehouse, the two are often confused, and such was my error.

Poetry Publication Progress (2021-11-07)