Presently live-streaming my screen whilst working on the “To a Swallow” poem, extracting from the rough verse variations two themes: the swallow as a symbol of Joy and as a symbol of Freedom.
Presently live-streaming my screen whilst working on the “To a Swallow” poem, extracting from its drafts the most promising variations thus far.
Made during the livestream:
- I want to describe a swallow on the wing as “a symphony on high”, but that is a little grandiose for the subject. It would have worked for a flight—impressive to behold—but that is not the subject of the “To a Swallow” poem.
- I have now four major variations of the first verse, each with line variations of their own. These I shall further explore once the rest of the verses have also been put through this process of clarification.
- There will be four verses in total at this stage of the draft, though three would be more suitable to the theme: freedom in movement.
- The reason for this is that three verses tend to leave one wavering, whereas four typically resolve any tension and neatly conclude—that is to say, bring to a halt—a poem in this style.
- “To a Swallow” is written in four-line stanzas in iambic trimetre, of which the line “a SYM-pho-NY on HIGH” (da-DUM, da-DUM, da-DUM) is an example.
Presently live-streaming my screen whilst I edit my answer to “How do you work?” in the Artist Questions series.