In the current “Cranes and Sheep” draft, the first three stanzas are all but complete. There is here and there a word or line I am yet to decide upon, but having gone through numerous variations of each of the three, they seem to me the most evocative expressions of the theme.
As is often the case, the last stanza (here the fourth) proves the most challenging. I am left with seventeen variations after the last edit. These are the possible versions I am testing for the conclusion of the poem (the while my recent compositional dilemma remains unresolved).
They all describe the same subject—a lamb afrolic—but the exact lines with which to convey it is the great question that diligence (and a poet’s inclination) must answer. This then is my work in the days to come. It always seems an impossible task, but I find the right verse in the end!
Incidentally, the title was taken from a redundant sketch in the current litany of poems for the collection; I am pleased to see it revived in this way but conflicted about including it. I resolved not to add new sketches to the list, and this reimagined version is technically so—I may have to move it to the “future collection” set.